Papersmiths Notebook Review

Papersmiths is a stationery shop with branches in London and Brighton, UK, and online. I have been following them online for a while, and actually ordered some Bindewerk notebooks from them a few years ago, when I was having trouble finding them in the US. It was lovely to hear from the team at Papersmiths recently, with an offer of a sample of their new Papersmiths-branded notebooks for me to review. Let’s take a look!

This line of notebooks has been designed by Papersmiths themselves, and is produced for them at a bindery in the UK. They come in a range of nine beautiful colors. I received one in Azurite blue.

papersmiths notebook review

The first impression is that this is a really sharp notebook. The corners are square and everything seems very precisely cut and assembled. The card stock cover has a texture to it which is aligned perfectly straight with the edges of the notebook. The notebook is described as A5 size, and measures 147 x 208mm, with a thickness of about 15mm. The cover is scored along the edge by the spine so it can fold back more easily when you open it.

At the right side, there is a stamped Papersmiths logo. (I’m curious about the significance of the logo– I guess it’s just a squiggle but I kept wondering if it represented a cursive letter or something…) The back cover has the Papersmiths name subtly stamped.

papersmiths notebook review

The spine is quite flexible but the notebook won’t open quite 100% flat. It’s heavy enough that when you are near the very middle of the notebook, it will lie open without being held down, but closer to the beginning or end, it will flop closed.

papersmiths notebook thickness
papersmiths notebook spine

Inside, the first page of the notebook is blank except for a space to write your contact information. Then there’s a two-page spread set up to be a table of contents. And then you have 236 numbered pages of dot grid paper, stitched in signatures. (Lined and plain versions are also available.)

papersmiths journal
papersmiths bullet journal index
papersmiths dot grid

My absolute favorite thing about this notebook is the page numbering– as you flip through the pages, the color of the numbers subtly shifts through a pastel rainbow of colors. It’s such a tiny detail but makes me really happy! The dot grid pages and numbers are also very precisely aligned.

The 100 gsm paper is a bright white, and nicely smooth. It is described as being fountain pen friendly and does deliver on this claim. I saw a couple of tiny specks of bleed-through with some wetter inks where lines overlapped, but it was pretty minor. All my fountain pen inks looked vibrant and sharp, with no feathering. Show-through is about average. Some markers like the Super Sharpie and Accu-Liner bled through, but less than on many other papers I’ve tested. There really isn’t anything not to like about this paper for journaling, note-taking, and everyday use– it’s really a pleasure to write on.

papersmiths fountain pen friendly
fountain pen friendly bullet journal papersmiths

This is a lovely notebook with an attention to detail that makes it feel special. As usual, my only wish would be for them to also offer a pocket-sized option! The price for this A5 notebook is £22, which is about US$27.95 right now (the exchange rate is pretty good). The price is a bit steep compared to a similarly sized Moleskine or Leuchtturm notebook but pretty in line with a Stalogy notebook, which I think is a better comparison in terms of quality.

You can buy the Papersmiths notebook at the Papersmiths website. They even have gift bundles that include a pen and/or a pen holder band with a notebook if you want to create a colorful trio and save a couple bucks! (They ship internationally.)

Disclosure: I received a free sample to review but all opinions are my own. This post contains affiliate links.

Ellsworth Kelly Sketchbooks

I’ve posted before about Ellsworth Kelly’s Sketchbooks: see A Wonderfully Messy Sketchbook.

I had to return to the topic after seeing a wonderful reel of sketchbook images on the Instagram page of EK100.org, which is celebrating the 100th anniversary of Ellsworth Kelly’s birth. A couple of screen grabs below:

Apparently he kept lots of sketchbooks, drawing and capturing ideas of colors and shapes when he was out and about, and also using notebooks to document technical details about his paintings. From an ArtNews article about various Ellsworth Kelly exhibitions for the centenary:

One of these exhibitions is a show of 25 of Kelly’s sketchbooks at the Museum of Modern Art, which Shear recently gifted to the museum, on view through June 11. Working out compositions on paper first was a regular, if unseen, part of the artist’s practice.

“His sketchbooks reveal the particularities of his unique process—the persistent experimentation and investigation—as well as the real-world references that often inspired his seemingly nonobjective compositions,” notes Christophe Cherix, MoMA’s chief curator of drawings and prints. Kelly’s creations, constellations of hard-edged abstract shapes in dazzling color, disguise any hint that they’re based in observation of something real. “Both eminently private and practical, these sketchbooks extend a unique behind-the-scenes invitation,” Cherix adds.

Kelly took sketchbooks with him everywhere, but mostly kept them to himself, moving onto the next sketchbook as soon as one was full. “Kelly’s sketchbooks are both the treasure and the treasure map,” says Cherix, “leading us into a secret world where art is lived and breathed.”

Read more at : Ellsworth Kelly Was Born 100 Years Ago and Museums Are Commemorating Him with Focused Exhibitions

More about the exhibit at MoMA.

You can also see more images of Kelly’s work at ellsworthkelly.org, or in various books about his work (including a new one about his portraits, which is surprising given how known he is for his abstract work!)

Some other articles referencing Ellsworth Kelly sketchbooks:

2021 Wall Street Journal article

2014 New York Times article

R.I.P. Françoise Gilot

Françoise Gilot died recently, at the age of 101.

Françoise Gilot, Artist in the Shadow of Picasso, Is Dead at 101

In remembrance of her many talents, here’s an image from one of her travel sketchbooks, reproduced in facsimile in a limited edition set of books published by Tachen, which I posted about back when she was a mere youngster of 96!

I highly recommend her memoir, Living With Picasso.

I Bought a Notebook Today

You wouldn’t think this would be major news, but I realized that I hadn’t bought a notebook in quite a while! Since 12/30/22, to be exact. My stash is well beyond what I will probably ever need and I haven’t seen anything new and exciting that I just had to try, so I’ve actually been exercising great self-control. I haven’t bought any new pens, either. I’ve noticed a few posts around the stationery community about people de-stashing a bit and wonder if we have hit a moment where everyone realized they did too much recreational shopping during the pandemic and now wants to do spring cleaning. I’m re-homing a few items myself.

But today I decided I wanted another little watercolor box (speaking of things I don’t actually need, but $53 seemed like a good deal on this sweet little Sennelier set) and I decided to throw in a Hahnemuhle Travel Journal. The price has gotten very high and in a way, it seems like a stupid thing to buy but I haven’t seen them in stock in many places lately and I wondered if they might be discontinued. Notebook FOMO.

But though I haven’t been buying much, I recently got a sample of something new, which I’ll be reviewing soon. Stay tuned!

R.I.P. Chandler O’Leary

I just saw the incredibly sad and shocking news that Chandler O’Leary died suddenly a few days ago. I did not know her personally but she has been one of my favorite notebook/sketchbook artists for years. I thought for sure I had done a post about her, but I guess I never did. I know that like me, she enjoyed using pocket-size Moleskine sketchbooks and unlike me, had mastered using their paper with watercolors despite its unpredictability for that medium. She filled lots of sketchbooks on road trips around the United States, and I just loved everything about her work– her skill, her humor, and her adventurous spirit.

Here’s a few images taken from her wonderful blog Drawn the Road Again:

She had just published her latest book, and leaves behind a husband and a 4-year old child. A GoFundMe campaign has been organized for their benefit: https://www.gofundme.com/f/donate-in-memory-of-chandler-oleary

It is heart-breaking to me that the world has lost such a talented artist (and from what I’ve seen online, a lovely human being).

Notebook Storage Boxes

Anyone who’s followed this site for a while will have seen quite a few photos of notebooks stored in various ways: piles in cabinets, piles in drawers, wicker baskets, under-bed boxes, plastic sweater boxes, white cardboard banker’s boxes, moving boxes, and lots and lots of shoeboxes.

Of these storage methods, a couple of favorites stick out. When I used clear plastic sweater boxes, I loved how perfectly they fit my usual pocket size notebooks standing on end– I could stick them in upside down so that I could read the dates I used each notebook, which I always write on the bottom edge. But a full box got rather heavy. I also didn’t have enough of those boxes for all my used notebooks, and I’ve never found a place to buy more.

Shoeboxes have been my go-to storage solution otherwise. They are a good size for pocket notebooks. And I tend to buy way too many shoes, so I have a steady supply! But shoeboxes vary– some are better sized than others. And none allow that standing-up storage method– they only accommodate notebooks in stacks or lined up on their sides. (Some people label their notebooks on the spine, which works well in a shoebox, but I don’t like marking the spines.)

All this got me thinking about what the perfect notebook storage box would look like. It would have to be sized to hold a notebook standing up, so at least 5.5″ tall. I’d want it to hold two rows of notebooks side by side, so at least 3.5 x 2″=7″ wide. As for the length, I thought maybe 15-20 notebooks in each row would be good. I figured a notebook weighs about 5 ounces, which would make each box about 12 pounds when full. That seemed a little heavy, so I ended up settling on a box that was 10 inches long, 7.5 inches wide, and 6 inches tall, which would hold around 32-34 notebooks in standard pocket Moleskine-ish size and weigh around 10 pounds.

Having envisioned the perfect notebook box, the problem was buying one. What I had come up with did not seem to exist anywhere as a standard product. But in searching for custom box makers, I found some companies that offered custom size cardboard shoeboxes. These companies usually serve businesses looking for custom-printed boxes for their products, but for plain cardboard boxes without printing, the costs were pretty reasonable even at lower quantities. I knew I’d want at least 10 boxes, and the prices seemed lower than what I’d pay for other storage box options that weren’t even the right size.

I settled on a custom shoe box from Fantastapack. For a total of $98.31 including shipping, I got 10 boxes. $9.83 per box isn’t super-cheap but I’d rather pay that much for something that is perfectly sized for my needs than pay less for something that isn’t right and gets on my nerves. I am really pleased with how they turned out, so my only regret is not ordering a larger quantity, since that would have reduced the per-unit cost.

They are indeed the perfect size, though maybe I should have just ignored my weight concerns and made them slightly bigger to hold 20 notebooks per row. The boxes ship flat, but are easy to fold into shape. They are sturdy and stack nicely, and look much tidier than all my other shoeboxes. I wrote on each box to identify its contents, though it would be nicer to use labels. The one potential problem, I guess, is that these are not archival, acid-free boxes. If I truly needed to preserve my notebooks for posterity, I suppose I could line the boxes with some kind of acid-free protective paper. But since I’m mainly just trying to keep myself organized for another 40-ish years of life expectancy, I’m not too worried.

The ten boxes I ordered were enough to hold all my filled Moleskines and similar journals and sketchbooks, as well as all my pre-adulthood notebooks, with the exception of some larger sized ones. I also have a few of my stash of spares in one of the new boxes. At some point, I will probably order another 15 or so boxes to hold the rest of my collection. I’ll still have some odd sizes that I’ll have to store elsewhere, but most of my collection will fit nicely into this same box design. Say bye-bye to those shoeboxes!

Diane Arbus Notebooks

I usually think of artists who draw and paint as having the most beautiful notebooks and sketchbooks, but photographers keep some intriguing notebooks too: my latest “other people’s notebooks” fascination is with Diane Arbus. I’ve always found her quite interesting, since discovering her photographs when I was in high school, to more recently reading Patricia Bosworth’s biography of her. I also have a newer biography by Arthur Lublow on my to-read pile.

I guess it was after reading the Bosworth book that I decided to see if there were any images of Diane Arbus notebooks online. I was excited when I found this one!

diane arbus notebook screenshot

Unfortunately, I snapped that screenshot over a year ago, and when I went back to look at the link now, the content was no longer available. However, I did find a couple other glimpses of Diane Arbus notebooks online:

The Yale University Press website shows photo of one of her appointment books, as featured in the book Diane Arbus: In the Beginning

diane arbus notebook

The Malba Foundation website also has an image accompanying an article about an exhibit:

diane arbus notebook

The book Diane Arbus Revelations contains excerpts from her notebooks and letters, and apparently some images too. (You can see one of the spreads below, from a listing at the Fraenkel Gallery online shop.)

diane arbus revelations book notebook

Some other images of Diane Arbus notebooks seem to have made their way onto Pinterest, but otherwise I haven’t seen much. I’ll be keeping my eyes out for more– she’s a fascinating figure who had an interesting life story as well as being a brilliant photographer.

How I Use My Nolty Planner

I’ve written various reviews of Nolty planners and notebooks, but I don’t think I’ve gone into too much detail about how I use my Nolty planner. These lovely Japanese diaries have some features that make planning, habit tracking, and list-keeping very convenient for me.

The Nolty Efficiency Notebook has various page layouts. It starts with a full year spread, which I actually don’t use at all! I probably should come up with some way to use this to plot out the whole year or maybe track something that occurs year round… but I haven’t found a need yet.

The next section is the monthly Gantt chart. For each month, you get columns for each day, and several lines below. I use this as a habit tracker. I track things like exercise, how often I’ve called my mother, whether I’ve done something creative that day, and other various health and productivity and social habits. Usually, I just mark a dot to show that I’ve done that thing each day, or maybe a letter or number to show what/how much I did. This photo shows the page with space for the following year’s first few months, but the pages for the current year are two per spread, so each month has 11 lines rather than 7. The first two lines are pre-drawn, but below that, there are dots that help with alignment when I add my own lines in pencil.

how i use my nolty planner

Then there are the weekly spreads. In each daily section on the left, I’ll note appointments, birthdays, sometimes the weather, and track my exercise and diet in detail. On the blank right page, I keep a shopping list and a to-do list. At the bottom of the right page, I might jot other details, like a list of places I’m planning to visit if I’m going into NYC that week. On the tops of the weekly pages, I’ll note week-long plans like a vacation or trip.

nolty efficiency notebook

I don’t use the weekly layout to plan or record any details of job-related meetings unless it’s a major meeting or a full-day business trip– something I know I need to plan my personal life around rather than routine meetings within my regular work schedule. I keep all the details of my work meetings and to-do’s in my work Outlook calendar.

At the end of the weekly pages, the Nolty planner has various plain, lined and squared pages. I use one to note my new year’s resolutions and goals, and another to jot notes about plans for the following year, so I can transfer those notes into my next planner. I use other pages for random notes such as results of an annual medical exam– I used to just keep a health diary in a note on my phone, but I decided it would be good to record things each year on paper too.

The Nolty planner comes with separate booklets that can be tucked in the back cover. One is an address book, and the other is just lined pages. I have been using the address book to keep long-term lists like books I want to read, music I want to check out, movies I want to see, restaurants I want to try, travel ideas, etc. I also keep a page with a few key phone numbers– I can’t remember phone numbers anymore, so I like having a backup in case I lose my phone! I tend to use the same address booklet for 2 years rather than re-copying everything at the beginning of the new year.

nolty address book

The lined booklets tend not to get much use at all. I’ve used a few pages of one for some random notes, and I keep transferring it to my new planner each year because it hasn’t filled up. I have quite a few spare booklets. I do like having these extra booklets, though, as the pages are perforated for easy removal and I have torn out a page to give someone a note once or twice.

On the sample spreads shown in this post (mocked up in simplified form for explanatory purposes and to hide the embarrassment of my actual diet and habits!) you will notice that I’m using a few different colored inks. I love using my various fountain pens in the Nolty diary, as the paper works so well with them. I don’t have any sort of color coding system, though– the ink colors are used totally randomly. Often I’m just using a black gel ink pen, but I do love when I end up with a colorful mix of inks on a page. Sometimes I doodle in the margins a bit, making things a little messier.

I will also note that the handwriting you see here is my typical handwriting for entries in this planner. There’s something about the Nolty layout that makes me want to use my tidy, tiny block capital writing style. I sometimes use it in other notebooks too, mostly when making lists, but when I’m just scribbling notes or writing journal entries, I fall into a much messier semi-cursive scrawl.

That’s basically it– how I use my Nolty planner is pretty straightforward. You may ask, do I really NEED this particular planner format to track what I’m eating and whether I’ve taken a vitamin? No, of course not. There have been times in my life when I’ve used plain notebooks, or just not logged my life in this way at all. It didn’t kill me. But I find it more pleasurable to use this particular planner, and tracking habits with a tool I enjoy actually helps me have good habits! These Nolty planners work really well for my needs, and the quality of their paper and construction makes them a pleasure to use. I’ve definitely gotten into a solid routine with these diaries– it’s hard to imagine using anything else!

The Forbidden Notebook

This book sounds fascinating! It was just reviewed in the New York Times:

Rome, 1950: The diary begins innocently enough, with the name of its owner, Valeria Cossati, written in a neat script.

Valeria is buying cigarettes for her husband when she is entranced by the stacks of gleaming black notebooks at the tobacco shop. She’s not permitted to buy one there on Sundays, she’s told, but the tobacconist gives her one anyway, which she stashes under her coat. She doesn’t yet know there’s a devil hiding in its pages.

This deception begins the Cuban-Italian writer Alba de Céspedes’s novel FORBIDDEN NOTEBOOK (Astra House, 259 pp., $26), first published in 1952. Valeria is married with two adult children; the family is under financial strain, compelling her to work in an office and manage her household without the help of a maid. She has coped with these pressures handsomely, she believes. She is a “transparent” woman, simple, “a person who had no surprises either for myself or for others.”

But from the moment Valeria brings the diary into her home, it changes her. She is terrified by the thought that her family might discover it, especially after they mock her for the mere suggestion she might like to keep a journal. “What would you write, mamma?” her husband, Michele, teases.

You had me at “stacks of gleaming black notebooks at the tobacco shop,” but the review goes on to say that the book will appeal to fans of Elena Ferrante, which I definitely am! I’m looking forward to reading this…

Buy at Amazon or Bookshop.org.

A Thames Mudlarker’s Notebook

If you’re not familiar with the term “mudlark,” it means someone who digs around in a riverbed at low tide to see what sorts of treasures they might find. I felt like I’d found some treasure when I discovered Johnny Mudlark’s diary!

johnny mudlarker notebook pages

I first saw some of these images on Pinterest, and was led to the website of the Thames Festival Trust.

“Johnny creates extraordinarily detailed and intricate paintings of his finds at actual size, which he accompanies with notes. He has made five notebooks so far, one of which was on display at the Museum of London Docklands Secret Rivers exhibition.”

London’s Thames River has such a long and fascinating history, so it’s no wonder the mudlarkers there find all sorts of interesting things, including artifacts from hundreds of years ago.

johnny mudlark's diary page
Mudlarker’s Diary page by Johnny Mudlark

The exhibition about mudlarking is long over, unfortunately, but it was tied to the publication of a book, which includes illustrations by Johnny Mudlark: A Field Guide to Mudlarking.

See more images of Johnny Mudlark’s work: Thames Festival Trust

Notebooks, journals, sketchbooks, diaries: in search of the perfect page…