Question from a Reader: What Does Paper Weight Affect?

Reader DJ writes in with this question:

I have recently stumbled upon your blog along with some others. I am thrilled to finally have an outlet for my pen and paper passion. I’ve been reading a lot about Rhodia pads and some of the notebooks I already owned. I see that there are different paper “weights”? What does this affect? What should I look for in paper if I enjoy using a pen such as TUL? These type of pens seems to write very wet but even with me being a lefty, over-writer, I do not have trouble with smearing. I see all these notebooks but are there heavier loose leaf papers available?  I would appreciate any and all feedback to help me along in my new quest.

My brief answer about paper weight, i.e. thickness, is that it mainly affects ink bleeding through, and if you’re using watercolors, how much the paper might buckle. I think smearing is more a function of the texture of the paper surface than its thickness. Some thick papers may still have a very smooth surface that makes ink take longer to soak in. But I’m not really a fountain pen user, so I’m turning the rest of the question over to those in the audience who are! Please chime in with suggestions. Thanks!

I Forgot to Celebrate!

This blog was one year old on September 12th. 260 posts, about 75,000 unique visitors, 413 comments, and I don’t know how many new notebooks– not bad for a first year! Thanks to everyone who’s been reading, commenting, and sending me great notebook tips, photos and samples! And just let me know if there’s anything you’d like to see more of in year #2.

Throwing Out Old Diaries?

From an entry at 43 Things:

continue writing in my journal

Got to get a new one

I threw away all my old diaries becuase they were just bad memories and the bad energy just made me miserable. I feel lighter now that i got rid of them… Time to start a new journal. One that contains happy thoughts and feelings! I’m so excited =)

Could you ever throw out your old diaries? I couldn’t. They may have some bad memories in them, but I think those are just as important to keep as good ones.

Moleskine’s Hiring: Director of Social Media

I bet a lot of people will be all over this one!

Director of Social Media at Moleskine

This temp-to-perm (Jan 2010) position is a newly created one for Moleskine (www.moleskine.com).

The company’s community is constantly growing and evolving with a unique ability to live harmoniously in both analog and digital environments. This position has been created to support the growing communications needs online and to maximize global brand tools and resources that permit connectivity with brand fans worldwide. The Director of Social Media is focused on building and developing the main consumer-facing site and the social network in a manner that is consistent with the brand and supportive of various global initiatives and brand equity projects. He or she will serve as the community advocate, brand ambassador and a consistent point of contact for the consumer audience in America. The goal isn’t for this person to control the community, but to curate it.

This person will be a strategic lead in strengthening the existing online brand communities as well as developing innovative new ways to interact with our audience. Responsible for setting the tone for the community experience, this individual must be patient, well spoken, enthusiastic, and well-informed of company initiatives worldwide. It will be crucial for the Director of Social Media to create and maintain meaningful and regular contact with (primarily email and phone with occasional travel to) the company offices in Italy in order to align his or her strategic concepts with the overall web strategy for the brand worldwide.

Beyond having on-line marketing knowledge and strong communication skills, the Director of Social Media must have an understanding of technology trends and social media tools. He or she will constantly facilitate input and feedback, whether it be within the global company or within the community.

POSITION RESPONSIBILITIES:
o Manage and supervise the company website, its calendar and initiatives
o Moderate and manage existing community resources, providing guidance, support and creativity on a daily basis
o Encourage member participation with daily posts and direct interaction
o Proactively improve the community with new initiatives
o Identify and nurture relationships with most active community members in order to encourage their further involvement and reward them for their participation, awarding them for serving as brand ambassadors
o Create and manage resource guide and tutorials to help members (both internal and external) utilize community features
o Communicate with influential sites, blogs, and other online communities to develop positive brand relationships, promote content, and drive traffic
o Manage and distribute content for e-newsletters or global online outreach
o Continuously track/mine user-generated content for valuable feedback and suggestions, relay that information to the appropriate corporate teams
o Continuously monitor technology developments and make recommendations on implementing new social media tools; monitor internal and external Web sites and facilitating discussions when relevant, utilizing existing web analytics software and appending existing data.
o Create an effective content development strategy and manage existing tools such as Google Groups, FLICKR, and Facebook
o Develop, implement and maintenance all brand equity and marketing activities and budget for the North American market
o Actively contribute to brand equity and marketing strategy plans in international markets
o Manage all aspects of outside agency and vendor relationships, including RPF processes, contract negotiations, budgets, and project management
Skills

WE ARE LOOKING FOR SOMEONE WITH:
o A background in online social media and community building, marketing, publicity, and design are extremely helpful for this position.
o Analytical skills and familiarity with various measurement tools to track traffic and engagement statistics as a result of our outreach efforts.
o Strong online research and general computer skills are essential, as well as an understanding of online marketing and publicity tools such as blogs, online advertising, and social networking platforms.
o Excellent communication skills, both oral and written in order to interface with our internal and external community members.
o Intermediate to advanced understanding of Microsoft Excel and Office.
o Strong organization skills and a proven ability to juggle multiple tasks and prioritize. Must demonstrate self-initiative and management skills.
o Knowledge of Italian is a plus, but is not required.

Carnival of Pen, Pencil & Paper #2

The Pen Addict has posted the second monthly Carnival of Pen, Pencil and Paper. It’s another great collection of posts about the wonderful stationery and office supplies we all love. I particularly enjoyed Cynthia’s comparison of the Cartesio and Moleskine planners and Opted Magazine’s post about making the cover of your notebook a visual representation of your life’s priorities and goals.
The monthly carnivals will continue, with the next edition hosted by Office Supply Geek on October 6th. You can submit an article to the next edition using the carnival submission form. Past posts and future hosts can be found on our blog carnival index page and more details about the carnival are found at the carnival home page. Hosts have been assigned through December, but January and beyond are open– if you are a blogger who would like to host a future edition, please contact me at nifty [at] notebookstories [dot] com.

Review & Giveaway: Book Factory Notebooks

When I wrote about my Engineer’s Field Notebook, I mentioned that I would love to have a pocket sized version. Well, here’s something that’s sort of close: a pocket size lab notebook from The Book Factory. I’ve written about this company before— they’re based in the US, which is a rarity for notebook makers these days. They make all sorts of hardcover and softcover notebooks for various purposes, many of which are more for business or educational uses, but they also offer many items of interest to the general public, and anyone can order from their online store. The Book Factory was kind enough to send me 3 sample notebooks: a pocket lab notebook, a blank notebook with numbered pages, and a lined notebook.

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The closest comparison to these notebooks would be a softcover pocket Moleskine. As you’ll see below, the Book Factory versions are slightly smaller and thinner at 3 1/2 x 5 1/4″ and 96 pages. (One of the samples I received, shown below, was actually slightly wider at 3 5/8″.)

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The Book Factory notebooks are very basic: no logo stamped anywhere, no elastic to hold them shut, no ribbon marker or pocket in the back. They aren’t made to the most exacting quality standards– the spines are slightly rounded, and the edges can have slight imperfections– they are just a faux-leather/oilcloth material adhered to a paper backing, like the softcover Moleskine, but the Moleskine seems to be trimmed a bit more sharply. I worried that the slightly loose threads at the edge could start to unravel further with more use.

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When you open the notebook, the inside cover has spaces for writing your personal information. The lab notebook also has a couple of pages of instructions for properly documenting research findings or inventions, etc., and has index pages you can use to create a table of contents for the notebook.

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These notebooks are very flexible– you can almost roll them into a tube without harming them. They’ll stay bent for a while afterwards, but if you bend them back in the opposite direction, they’ll flatten out again. They also open perfectly flat.

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The binding is attached to the paper signatures by a sort of cloth tape, which is visible on the inside covers. I think most notebooks probably glue an inner page down to cover this. The signatures are sewn into a slightly rounded spine, not squared off like a Moleskine (again, there was some variation in the samples I received as to how round/square the spine was).

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The paper inside is pretty basic. The lined version has a space at the top. The lab notebook has a block of gridded space, with a header and footer for additional information such as signatures of the researcher and a witness.

As for the texture, it doesn’t give the ecstatic writing experience of the smooth, fine paper used in a Moleskine or Rhodia or Clairefontaine notebook– it’s more comparable to the standard white paper you’d find in any spiral notebook at Staples, but perhaps a bit thicker. Some pens feathered a bit, but it performed fairly well in terms of show-through.

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What I like about these notebooks is that they seem so scrappy and hardworking. They are nice and flexible for sticking in a back pocket, and they don’t seem too precious to be knocked around. The covers have a soft, pleasing feel to them, and the pages open as flat as can be. They are just unpretentious and functional, which is fine with me. The design of a notebook should fade into the background like one of those black-clad puppeteers–the notebook should leave the spotlight on what the user writes in it. It shouldn’t just be a self-conscious fashion statement (someday I’ll rant about Field Notes being way too “twee,” as the Brits might say). Sometimes the definition of good design is that you just don’t notice it.

However, my inner aesthete may wish the Book Factory notebooks were just a bit more polished in a few details, and most days, my inner aesthete will win. I can’t help caring about how a pen feels on paper as I write, and if I wasn’t obsessive about the exact size and shape and thickness and texture and symmetry and blemishes of my notebooks, well, none of us would be at this website, would we?

But any concerns about quality have to be weighed against the price. The pocket size notebooks are only $6.99, with volume discounts starting at 25 units. There may still be comparable notebooks available for somewhat less, but none that I know of are available in lab notebook formats, or  made here in the U.S.A. The Book Factory has several options for imprinting the cover (“Research Notebook,” “Log Book,” etc.  a they can also make custom notebooks for large orders.

If you want a nice, basic, flexible little notebook, these are a great option, expecially if you have a use for pre-numbered or lab format pages. If you want something more substantial, you can also check out the Book Factory‘s other hardcover notebooks, which come in a variety of specialized formats for different purposes, such as “balance calibration” and “animal maintenance.” And if you want to try one of the pocket notebooks for free, I’m giving one away! You can win the small lined journal with the brown cover by posting a link to www.notebookstories.com at your blog and emaling me at nifty [at] notebookstories [dot] com with the location of the link– that counts as two entries. If you don’t have a blog, you can just send me an email saying you want the notebook– that counts as one entry.  The deadline for entry is Friday September 11 at 5pm Eastern time. Good luck everyone!

Annie Leibovitz’s Financial Meltdown: Notebooks Partially to Blame

You’d have to be living under a rock not to have heard the news that celebrity photographer Annie Leibovitz is broke. But here’s a new detail: she spent a lot of money on expensive notebooks!

When [Leibovitz’s daughter] Sarah started eating solid food, a rigorous journaling policy was instituted, in which every bite and bowel movement was to be committed to an unlined black notebook purchased from the Swedish stationer Ordning & Reda. [Leibovitz’s assistant] regularly ordered replacement books from Stockholm so that the journaling could easily continue from one book to another. Once, when an order got lost in customs, Leibovitz insisted on having two notebooks sent from Stockholm via a special type of courier service called “quicking.” It was essentially like buying a seat for a parcel on the next plane. The shipping cost alone came to $800.

From New York Magazine: How Could This Happen to Annie Leibovitz

Another notable user of Ordning and Reda Notebooks: former British poet laureate Andrew Motion.

Notebooks, journals, sketchbooks, diaries: in search of the perfect page…