From Walter Benjamin: 100 Notes, 100 Thoughts:

 

In 1927, on the occasion of a several-months-long visit to Paris, Walter Benjamin began taking notes on the Parisian Arcades for his most ambitious book project…. With her introduction to a selection of these handwritten notes, Nikola Doll describes how the author attempted “to integrate the principle of the montage as an epistemological technique.” Color charts, schemata, and diagrams act as guiding principles to navigate the thicket of excerpts and quotations. Benjamin’s personal color-coding shows an attempt to make order within the vast constellation of his own notes—a tension between an impulse toward structure and the potential of the open field of his interests.

Read more at: Walter Benjamin | Contemporary Art | Hatje Cantz