Notebooks Spottings

Here’s a few notebooks spotted in assorted advertisements and articles:

From the New York Times obituary of theater critic Stanley Kauffman:

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From the Wall Street Journal magazine, designer Marc Newson’s sketchbooks, among other favorite things.

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Also from the Wall Street Journal magazine, a Moleskine seems to be a favorite tool of Nike executive Mark Parker:notebooks spotted1notebooks spotted2

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From a New Yorker article by Ken Auletta, about the editor of the Guardian, Alan Rusbridger:notebooks spotted..1

 

 

From the “Work Diary” of retail consultant Stefani Greenfield, in Bazaar:

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This one’s from the New York Times magazine, a notebook in a Tumi ad:notebooks spotted7

Review: Paperblanks Notebook

A commenter recently asked why I don’t talk more about Paperblanks notebooks on this site:

I love your reviews! I’m curious about something. The few times “Paper blanks” notebooks are mentioned by other contributors or commenters on your site they have nothing but praise and great things to say. But what I’d really like to know is what you think of them. Is there a reason why you never review them? I’d like to know if they’re too over-rated by all the other people who mention them.

I haven’t been avoiding reviewing Paperblanks for any particular reason. The company has never contacted me or sent samples, and though I’ve admired some of their notebooks in stores, I haven’t been inclined to buy them because the ones I’ve seen almost always have lined pages rather than the squared or blank ones I prefer. And some of their cover designs, while attractive, are just not the look I prefer for my own notebooks. But not long ago, I did find this particular Paperblanks notebook which appealed to me enough to buy it.

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It’s from a collection called “Old Leather,” and I love the way it mimics a nicely distressed leather, perhaps an old suitcase with reinforced corners. The outside is totally smooth, but there is a slight debossing of the corner stitching detail. The cover is quite thin and slightly flexible, without too much of an overhang. The corners are rounded to a slightly larger diameter than the pocket size Moleskine shown below for comparison.

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The endpapers inside are a slightly metallic bronze color. There is info about the notebook on the inside back cover, but other than that, and a small logo in the inside front cover, the notebook is free of branding once you remove the sticker on the outside. It comes off easily without leaving any residue. Given the nice brown leather color scheme, I was surprised they put a red ribbon market and black elastic closure on this notebook. I would have kept it all brown to blend in. But here’s a neat touch– the elastic closure is attached underneath the back pocket, so it doesn’t show at all on the back cover. I wish more notebook brands would imitate this feature, as I often leave my elastics tucked out of the way around the back cover anyway.

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The notebook has a slightly rounded spine, and opens quite flat. The creamy white paper within has a slight pattern on it– not really a texture, more like a watermark. The paper is very smooth and feels great with fine gel ink pens. It performed quite well with all my other pens too, including fountain pens. (The ink cartridge that came with my Lamy Safari ran out just as I tried to test it, so I switched to a refillable cartridge containing a J. Herbin ink for the first time.) The paper feels quite thin and fine, so I was surprised when I flipped the page over– showthrough is about average, which was better than I expected, and it’s actually quite good on bleed-through.

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I paid $11.95 for this notebook, and I am very pleased with it, as the quality, value and features add up to a great package. It definitely goes in the “use someday” pile. Unfortunately, it doesn’t look like this style is part of the current Paperblanks line-up, but they do have some other designs that are the same size and unlined that I’ll be keeping an eye out for.

Notebook Addict of the Week: Claudia Rohling

This week’s addict is an illustrator whose biography reveals this intriguing detail:

“My father ran an office supply and printing company. The endless possibilities of pens, papers, paints and inks captivated my imagination for as long as I can remember.”

When asked to post a few random things about herself on her blog, #4 was this:
“I save all my old sketchbooks. ”

 

I’ll be there are even more where those came from!

Read more at Rohling Studios: May 2007.

Grant Wood’s Long-Lost Sketchbook

This is the only sketchbook known to have belonged to Grant Wood, the artist best known for his painting “American Gothic.” It dates back to 1929. It was supposed to have been auctioned last summer and was expected to go for $40,000-$60,000. The auction was canceled when a museum in Davenport, Iowa said the sketchbook had been stolen from their collection 47 years ago.

 

Read more:
Grant Wood’s Sketchbook to be Offered at Auction – Artwire Press Release from ArtfixDaily.com.

Matthew William Robinson’s Sketchbook

Design Sponge has some great “sketchbook sneak peek” posts. This was one of my favorites, for the way it shows the thought process behind an artist’s work. Here’s what Matthew William Robinson’s finished work looks like:

And here are some pages from his sketchbooks. There’s nothing perfect and pretty about them, they’re more about thought processes and explorations:

Read more at Sketchbook Sneak Peek: Matthew William Robinson | Design*Sponge.

Notebook Addict of the Week: Journal CEO

This is really cool: the first-ever video submission for Notebook Addict of the Week! This comes from The Journal CEO, who says
“I have Moleskines, Paperblanks, Peter Pauper Press, Barnes and Noble leather journals, Chronicle Books, Sanrio, Jacket Journals, and some random brands.

I’ve been journaling regularly almost 7 years now.”

I lost count of how many notebooks there were amid all the variety of colors, patterns and sizes. What a great collection, and a great way to share it. Thank you Journal CEO!

Peter Orlovsky’s Notebook

A relic of the Beat Generation:

“The Harry Ransom Center, a humanities research library and museum at The University of Texas at Austin, acquired the archive of American poet Peter Orlovsky (1933–2010), an important figure in the Beat Generation.

Orlovsky was fellow poet Allen Ginsberg’s companion for more than 40 years, and his papers reflect significant aspects of their relationship. Orlovsky’s collection comprises manuscripts, journals and notebooks, correspondence, tape recordings, photographs and other personal documents, including unpublished poetry and prose works.

Around the time that Orlovsky met Ginsberg, he began to keep a journal, filling more than 140 notebooks before his death. Some of Orlovsky’s published poems appear in the journals, yet none of the journals has been published.”

via Beat Generation Poet Peter Orlovsky’s Archive Acquired by Ransom Center | News.

A Notebook Accidentally Thrown Out!

A sad tale!

I am not the sum total of my tattered alphabetical notebook, which currently lies in the slush of the Wellington tip, but that slice of old technology was a part of me. It must have disappeared when I emptied out the contents of my waste paper bin, congratulating myself for remembering collection day, but forgetting to check the contents. As is so often the case when I congratulate myself, disaster followed.

Read more at Tattered Notebook Held Rich Memories | Stuff.co.nz.

Notebooks, journals, sketchbooks, diaries: in search of the perfect page…